In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into beasts and sent off into The Woods.
Now the fact that you will turn into an animal if you fail to fall in love with someone during your stay here is not something that should upset you or get you down. Just think, as an animal you’ll have a second chance to find a companion. But, even then, you must be careful; you need to choose a companion that is a similar type of animal to you. A wolf and a penguin could never live together, nor could a camel and a hippopotamus. That would be absurd.
The Lobster is unlike any movie I have ever watched. With shocking opening and closing scenes, everything in between is disturbing and thought-provoking. The plot, characters, sound and visual presentations all contribute to present one of the most touching and bizarre movies probably ever made. There is a lot to take in, but it all comes together in a weird harmony.
Large audiences will most likely not take to this movie. It is often slow paced, filled with awkward silences and the authors deliver the lines in an almost robotic manner. That all suits the world being presented here, though. A world where people are reduced in such a manner that they are coupled according to their main characteristics – be it beautiful hair, proneness to nose-bleeding or short-sightedness.
Colin Farrell was superb in this role. As a man who was left by his wife, he often comes across as uncaring and even apathetic and his attempts to find a partner are quite awkward, although that is the norm in the place. Everyone is just so desperate, alienated and reduced to a shell of a person.
David struggles to keep himself and his freedom of choice of a partner or lack thereof, while surviving his oppressive surroundings, and watching him evolve is very moving.
However, don’t think this is a one-man movie. Each character is unique and they all add to the story in one way or the other.
I sort of wished I could have seen the female perspective on the hotel, but it would then be a completely different movie, so that’s fine.
The film is drowsed in noir humour. Because the setting is so bleak, I found it heart breaking, even in the supposedly funny moments. However, it is so rich in so many ways, from the concept to the mixture of cultural references to all the small hints at how our own society and each individual deals with being single. There is either a pressure to be coupled and being recognized as such by society, or a commitment to staying single, and it seems that, as in the movie, a middle term is practically impossible.
This is a film that needs to be appreciated throughout and there is plenty to digest and discuss afterwards.
However, do be prepared to be taken off balance and to cope with the slow pace.